#Masque Teatro

[sguardimora]

Kepler-452 in residenza per “Album”

15 Maggio 2023 - 28 Maggio 2023 

Inizia oggi la residenza creativa per la ricerca e la composizione del nuovo spettacolo di Kepler-452. Kepler-452 è la compagnia selezionata per il terzo tandem di produzione a tema “Daily Bread” che vede coinvolti come coproduttori: Pergine Spettacolo Aperto (Italia); Pro progressione (Ungheria), L’arboreto – Teatro Dimora di Mondaino (Italia) nell’ambito di  Stronger Peripheries: A Southern Coalition, progetto sostenuto da Europa Creativa.

Album

Un album di famiglia è una macchina del tempo: ogni fotografia una storia, e ogni storia una finestra verso un’altrove. Verso noi stessi di un tempo, verso i nostri cari: è un affondo tra le nostre inconsapevolezze del passato e nel mistero che i nostri sguardi di allora pongono a noi che oggi sfogliamo. Ma cos’è un album? E come si fa? Raccogliendo, certo: fotografie, storie, e radunandole. E dove raccogliere? Dove inizia e finisce una famiglia? Quanto bisogna scavare per trovare le radici? E anche: quanto è vasta una famiglia? Chi ne fa parte e chi no? Sangue, geografie comuni, migrazioni, incontri… di cosa è fatta una famiglia? Kepler-452, sperimentando una spazialità non frontale, insieme a dispositivi e forme di presa diretta e proiezione audiovisiva, cerca risposte a questa domanda, raccogliendo storie e immagini da varie parti d’Italia e d’Europa, incontrando persone e comunità. Un «album scenico» e senza confini: un tentativo e una ricerca accesi da un’immagine suggerita dal mondo animale: come è possibile che tutte le anguille del mondo, a un certo punto della propria vita, percorrano decine di migliaia di chilometri sul fondo degli oceani per ritrovarsi nello stesso posto, a riprodursi, a morire, a rinascere.

Kepler-452 ALBUM a cura di Kepler-452 (Nicola Borghesi e Enrico Baraldi) in scena Nicola Borghesi con la collaborazione di Riccardo Tabilio ideazione tecnica Andrea Bovaia coordinamento Roberta Gabriele foto di Giulia Lenzi

coprodotto da Pergine Spettacolo Aperto,  (Italia); Pro progressione (Ungheria), L’arboreto – Teatro Dimora di Mondaino (Italia) con il sostegno di IntercettAzioni – Centro di Residenza Artistica della Lombardia e Residenza Artisti nei Territori Masque Teatro

Tandem 3 #Daily Bread

[overthedoors]

Torna e raddoppia CRISALIDE, il Festival di Masque teatro. A Forlì, dall’1 settembre

Torna e raddoppia CRISALIDE, il Festival di Masque teatro. A Forlì, dall’1 settembre

Pubblicato il 3 settembre 2017 da Critica Impura A cura della REDAZIONE Giunto alla ventiquattresima edizione allarga il proprio orizzonte, prevedendo una sezione a fine estate e una in autunno. Teatro, danza, musica, video performance, incontri e workshop, a cura di artisti e studiosi italiani e internazionali. Sede principale: il teatro Félix Guattari. Lo storico Festival Crisalide, diretto a…

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Testimonianze Ricerca Azioni: Lui e Lei, Das Spiel (mit Antonella), Mnemische Wellen

Testimonianze Ricerca Azioni: Lui e Lei, Das Spiel (mit Antonella), Mnemische Wellen

Alla vigilia della giornata interamente dedicata al Butō, un incontro/convegno all’Istituto di Studi Orientali Celso e tre artisti italiani esprimono la loro visione del non logos.

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[antoamilano]

Jour 120 et 121 - Lundi 28 et Mardi 29 Janvier 2019

Lundi 28 Janvier 

 Andréa è quiiiiiiiiii !!!! 

Andréa est arrivée en fin d’après midi à Milan. Comme avec Sarah, j’ai adoré lui faire visiter ma nouvelle ville et lui montrer une partie de ma vie ici. Elle est arrivée vers 18h et je l’ai emmenée voir le Duomo de nuit. Toujours aussi beau ! 

Mardi 29 Janvier 

 Ce matin, avec un grand soleil, je l’ai emmenée visiter l’école. Ensuite, nous sommes descendues voir le Duomo de jour. Je me suis achetée un nouvel objectif d’appareil photo et je me suis amusée avec donc je vous remet quelques photos de l’école et du Duomo : 

Après, nous avons mangé au Parco Sempione en passant par le Castello Sforzesco. Comme on avait froid on s’est dit qu’on allait visité quelque chose on a donc visité le Teatro alla Scala. Au départ je devais l’emmener voir un ballet mais les places sont très prisées et je n’ai pas pu avoir de places, on a donc finalement visité le musée du teatro. Le teatro alla Scalla est un théâtre d’opéra italien de renommée mondiale. Il date de 1778 et de nombreux opéras ont été créés là-bas notamment ceux de Rossini ou Verdi. En faisant la visite du musée du teatro on a accès à plusieurs balcons situés en face de la scène d’où on peut admirer la beauté de la salle. La salle ne m’a pas paru si grande mais il y a quand même une capacité de 2030 places. Tout est rouge et doré, c’est magnifique ! Le lustre en particulier est incroyable, fait en cristal de Bohème avec pas moins de 365 ampoules, il est d’origine, a résisté aux nombreuses années (notamment les bombardements de 1943)... Magistral ! Le musée lui n’est pas très grand et un peu décevant mais contient quand même de belles pièces comme des instruments de musique (clavecin du XIXème par exemple), de vieilles pièces de monnaies, des boites de tabac, boites de lunettes et lunettes, des masques et diadèmes utilisés pour les opéras, des partitions, des vieux carnets de notes,... Un beau voyage dans le temps quand même ! 

Piano Steinway & Sons de 1883.

Après le musée, nous sommes passées voir la chiesa di San Maurizio al Monastero Maggiore, une église que j’avais déjà visité et que j’avais adoré, je vous renvoie au 19 octobre. J’ai ensuite emmené Andréa aux Navigli où nous avons pris un café. Nous avons ensuite rejoint Colleen, Djuna et Edvard pour aller manger... un aperitivo évidemment !!! Andréa ne PEUT pas repartir sans manger un aperitivo. Pour moi c’est le meilleur moyen de découvrir la nourriture italienne sans faire 12 restos différent, il y a beaucoup de choix dans les buffets, des pâtes sous toutes les formes, du fromage sous toutes ses formes, des lasagnes, du risotto, de la pizza, du tiramisù... Djuna nous a emmené dans un restaurant près du Duomo avec un bien joli buffet ! Pour la première fois ici j’ai goûté du vrai risotto... un délice !!!! (et bon je ne reviendrais pas sur mon amour du tiramisù...)

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Top face mask Secrets

From the cult of Shiva, present in Anatolia from circa 6,000 BC, the younger, naked ithyphallic god seems in the horned mask.[fifteen] During the Greek bacchanalia as well as the Dionysus cult, which associated the usage of masks, the standard controls on behaviour had been temporarily suspended, and other people cavorted in merry revelry outside the house their normal rank or position. René Guénon statements that during the Roman saturnalia festivals, the regular roles have been generally inverted. Beaked masks made up of herbs in the beak have been worn in the Middle Ages by plague doctors[53] to test to beat back the Black Dying. In China, masks are believed to acquire originated in ancient religious ceremonies. Visuals of individuals putting on masks are already found in rock paintings along the Yangtze. Later mask types provides with each other myths and symbols from shamanism and Buddhism.[37] The molded Surgical Masks are made of sentimental, interesting, cozy elements. The paper face mask is a cost-effective face mask produced of top quality soaked-toughness paper. The tie on model face masks may also be blue with pleated surgical masks with glass no cost filter. Blend at a pulse for 45 seconds, then include the heated oatmeal combination. Blend in a pulse for an additional 20 seconds. Utilize the combination to your face and Permit it sit for quarter-hour for max nourishment. Here are far more strategies for more youthful-looking pores and skin that dermatologists gained’t show you. Want to turn every day into a excellent skin day? Want to know how you can hold the skin youthful, fresh, and glowing 24/seven? Every man or woman wants to look and feel their very best continually. Our self-assurance is right proportionate to the way in which we feel about ourselves. Deriving the most beneficial out of yourself is nonetheless a activity that can be greatly assisted with the use of intelligent solutions. 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Totally coat your face with the combination, Enable dry totally, then rinse with heat drinking water. Your face will come to feel fresh new and rejuvenated. Figure out the ideal DIY face masks For each style of skin concern. Masks may also suggest a culture's suitable of feminine splendor. The masks of Punu of Gabon have hugely arched eyebrows, Practically almond-shaped eyes plus a slim chin. The elevated strip running from each side on the nose on the ears represent jewellery. Dim black hairstyle, tops the mask off. The whiteness from the face signify the whiteness and wonder with the spirit environment. Head to some posh spa and you may handle yourself (for any mere $a hundred-$300) to an all-over overall body scrub. Or it is possible to invest around $50 on a fancy entire body scrub. Why purchase when you can also make a home made overall body scrub away from simple substances your self? All you require is salt or sugar, system oil and a good, heat bath. Copeau, in his attempts to "Naturalise" the actor[forty nine] chose to use mask to liberate them from their "abnormal awkwardness". Subsequently, Copeau's work with masks was taken on by his learners including Etienne Decroux and later on, by way of Jean Daste, Jacques Lecoq.[46] Lecoq, owning worked as motion director at Teatro Piccalo in Italy, was influenced because of the Commedia custom. Lecoq achieved Amleto Satori, a sculptor, they usually collaborated on reviving the methods of constructing common leather-based Commedia masks. Later, producing Copeau's "noble mask", Lecoq would talk to Satori to make him masques neutre (the neutral mask). For Lecoq, masks turned an essential training Software, the neutral mask becoming built to facilitate a point out of openness in the student-performers, shifting little by little on to character and expressive masks, And at last to "the smallest mask on earth" the clown's pink-nose. Pacific Northwest Coastal indigenous teams were generally remarkably expert woodworkers. Their masks had been typically grasp-pieces of carving, at times with movable jaws, or even a mask inside a mask, and parts moved by pulling cords. Quite a few African masks stand for animals. Some African tribes feel that the animal masks will help them talk to the spirits who live in forests or open savannas. Individuals of Burkina Faso called the Bwa and Nuna get in touch with on the spirit to prevent destruction. The Dogon of Mali have elaborate religions that even have animal masks.

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Ahead of powerful transparent components including polycarbonate had been invented, visors to shield the face had to be opaque with little eyeslits, and were a kind of mask, as generally in mediaeval suits of armour, and (for instance) Outdated Norse grímr meant "mask or visor". Disguise Get an index of vital oils that operate for all skin styles. Not all necessary oils work for all pores and skin forms. Some may burn off or harm delicate pores and skin, such as. Once in a while a witness for your prosecution seems in courtroom in a very mask to stop being identified by associates on the accused. Peel-off mask with pure organic grape seed extract. Gets rid of lifeless skin cells to brighten and stability skin, leaving it emotion clean and searching radiant. Use evenly more than cleansed face, staying away from eye area. Leave for quarter-hour and gently peel off. Suited to standard to mix skin. 50 ml. The nō or noh mask evolved through the gigaku and bugaku and are acted entirely by Adult males. The masks are worn all through very long performances and so are For that reason extremely light-weight. The nō mask will be the supreme achievement of Japanese mask-earning. I really like a superb lip balm yr-spherical, but particularly in the cold months when my lips can chap. So consider my surprise After i uncovered you could possibly make your own private using beeswax, almond oil, honey and a chunk of aged lipstick. BWe are one of many extremely reputed wholesalers, suppliers and traders of Blue Swine Flu Mask. The supplied blue swine flu mask is specifically designed for germ safety of the face. The Senoufo people today from the Ivory Coastline characterize tranquility by generating masks with eyes fifty percent-shut and lines drawn near the mouth. The Temne of Sierra Leone use masks with smaller eyes and mouths to characterize humility and humbleness. They symbolize knowledge by creating bulging forehead. Backed with the wealthy expertise, we have the ability to provide Face Mask to respectable purchasers. The available array of face masks is developed making use of significant grade Uncooked product and ground breaking technological innovation in strict compliance with Occasionally a slave or a felony was briefly granted the insignia and status of royalty, only to generally be killed following the festival ended.[16] The Carnival of Venice, in which all are equal driving their masks, dates again to 1268 Advert.[seventeen] The use of carnivalesque masks inside the Jewish Purim festivities probably originated while in the late 15th century, Though some Jewish authors assert it has normally been Component of Judaic custom.[eighteen] Pores and skin Care is vital to every of us and plays a vital part inside our grooming approach. Amazon India offers you a considerable choice of products which are intended to satisfy your skin treatment requires. You can look through by our choice to find the product or service of the selection by using valuable research parameters such as makes, vendor, rate, availability and common customer evaluations. One particular highly significant characteristic of Lecoq's utilization of mask, wasn't a great deal of its Visible influence on phase, but how it changed the performers motion on stage. It was a physique-based mostly approach to mask function, instead of a visually led 1.[forty six][50] Lecoq's pedagogy is vastly influential for theatre practitioners in Europe dealing with mask and is exported widely the world over. This work with masks also pertains to performing with transportable constructions and puppetry. Pupils of Lecoq have ongoing utilizing masks of their work after leaving The varsity, like in John Wright's Trestle Theatre. Normally, wrestlers will put their masks at stake from other wrestlers' masks, titles or an opponent's hair. When in Mexico and Japan, masks are an indication of custom, They may be seemed down upon in America and Canada. Inuit groups fluctuate commonly and do not share a typical mythology or language. Not surprisingly their mask traditions will also be normally distinctive, Even though their masks are frequently produced away from driftwood, animal skins, bones, and feathers. See also: Masks among Eskimo peoples

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Working with vinegar like a pores and skin toner dates back to the time of Helen of Troy, and it’s equally as powerful right now. When you clean your face, mix 1 tablespoon apple cider vinegar with two cups drinking water as being a ending rinse to cleanse and tighten your skin. The Face Mask are utilized by the overall health treatment staff members for facial safety in opposition to airborne infections. These face masks are developed with the quite gentle substance which makes it possible for air movement in this kind of way that the user won't sense suffocation. Wrestling masks are used most generally in Mexican and Japanese wrestling. face mask for skin is normally connected with a wrestler's persona (such as, a wrestler known as 'The Panda' might use a mask with a panda's facial markings). Throughout the globe, masks are used for his or her expressive electricity as a element of masked overall performance - the two ritually and in various theatre traditions. The ritual and theatrical definitions of mask utilization routinely overlap and merge but still offer a helpful foundation for categorisation. Over the Renaissance, masques and ballet de cour developed - courtly masked entertainments that continued as Portion of ballet conventions right up until the late eighteenth century. The masked figures on the Commedia dell'arte incorporated the ancestors of the trendy clown. In modern day western theatre, the mask is commonly used alongside puppetry to create a theatre which is essentially visual as opposed to verbal, and many of its practitioners have been visual artists. One highly critical element of Lecoq's usage of mask, was not a great deal of its Visible effect on stage, but the way it transformed the performers motion on phase. It was a entire body-dependent approach to mask operate, rather than a visually led one.[forty six][50] Lecoq's pedagogy has actually been hugely influential for theatre practitioners in Europe working with mask and has become exported greatly the world over. This work with masks also pertains to executing with portable buildings and puppetry. College students of Lecoq have continued employing masks inside their operate after leaving The college, such as in John Wright's Trestle Theatre. Big measurement Beard Internet crafted from breathable medical quality non woven material. Gentle comfortable thread elastic for safe positioning and ergonomic healthy in excess of the person's face. You can also get a much better comprehension of the solution by dealing with valuable person created responses. Immediately after finalizing your alternative, possess the item delivered to your doorstep and full the transaction by making use of just one of numerous effortless payment options. Discover the finest pores and skin care goods on line by purchasing at Amazon India. Thoroughly coat your face Together with the mixture, Allow dry fully, then rinse with warm drinking water. Your face will truly feel new and rejuvenated. Discover the ideal DIY face masks For each kind of pores and skin worry. In some spots, annual shamanic ceremonies included masked dances and these strongly abstracted masks are arguably probably the most hanging artifacts manufactured in this area. Head to some posh spa and you'll deal with oneself (for a mere $100-$three hundred) to an all-over overall body scrub. Or it is possible to commit nearly $fifty on a flowery system scrub. Why invest in when you can make a do-it-yourself entire body scrub outside of essential substances oneself? face scrub may need is salt or sugar, system oil and a nice, warm tub. In this article, I share 18 incredible makes use of for simple substances you can find during the kitchen area. Make your individual toddler wipes, get a recipe for your lip scrub, give by yourself a steam by using a teapot and a lot more. Pacific Northwest Coastal indigenous groups were generally hugely expert woodworkers. Their masks were being frequently master-pieces of carving, in some cases with movable jaws, or a mask inside of a mask, and components moved by pulling cords. Although the Dogons and Bamana folks the two imagine the antelope symbolises agriculture, they interpret components the masks in different ways. On the Bamana people, swords symbolize the sprouting of grain.

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Curly, frizzy or straight hair, just about every terrific hair fashion begins while in the shower. That’s why you’ll have to have to guard and take care of your hair with the ideal hair care merchandise like shampoos and conditioners. There are a variety of shampoo and conditioner formulas which will help you take care of uninteresting or harmed hair. Whether it is shampoos, conditioners, hair oils, hair colours, styling resources or treatment method merchandise, you’ll find all of it on Amazon India underneath one roof to your convenience. Obtain on the net hair care and styling items, filter outcomes depending on model, cost, purchaser reviews or Exclusive gives and special discounts. In Gals of shade, skin may possibly appear ashy or uninteresting from dead skin buildup. These face masks, combined with regular exfoliation and everyday utilization of moisturizers should really soothe dry, chapped skin. Our available item is extensively tested on numerous parameters by our expert quality controllers to make certain flawlessness. What's more, our available merchandise is extensively appreciated in the professional medical and surgical apps. Japanese masks are Element of an extremely old and extremely subtle and stylized theatrical tradition. Although the roots are in prehistoric myths and cults, they've got designed into refined art varieties. To be able to fulfill the at any time transforming demands of our customers, we are actually engaged in production and exporting a wide gamut of Face Mask. Head to the posh spa and you may treat your self (for your mere $a hundred-$300) to an all-over physique scrub. Or it is possible to expend nearly $fifty on a elaborate entire body scrub. Why buy when you can make a home made overall body scrub away from fundamental ingredients yourself? All you will need is salt or sugar, entire body oil and a good, warm tub. They tend to be worn about the face, although they could also be positioned for effect in other places about the wearer's body. In portions of Australia, giant totem masks deal with your body, while Inuit Girls use finger masks throughout storytelling and dancing.[1] The distinction with performance masks will not be constantly crystal clear-cut. Ritual and theatrical masks them selves can be regarded as being realistic, and protecting masks within a sporting activities context especially are frequently designed to enhance the looks of the wearer. Clinical To the Aztecs, human skulls had been prized as war trophies, and skull masks weren't unheard of. Masks have been also used as Section of court entertainments, possibly combining political with spiritual significance. Ritual masks take place all over the entire world, and Even though they have an inclination to share a lot of properties, very distinct varieties have made. The purpose with the masks may very well be magical or spiritual; they may look in rites of passage or being a make-up for the type of theatre. Equally masks may perhaps disguise a penitent or preside over vital ceremonies; They could enable mediate with spirits, or present you with a protecting position to your Culture who utilise their powers. For https://www.rosiehope.com/its-all-practice/diy-coffee-scrub-face-mask (and tasty!) therapy, mash up A few ripe strawberries with three tablespoons of ground almonds. Increase two tablespoons of yogurt and mix till the mixture contains a pasty texture. Distinctive styles of masks began to arise in pre-Hispanic The usa about 1200BC, Whilst You can find evidence of considerably older mask varieties. Then wipe it off and rinse with interesting drinking water. Your face will sense clean up and clean. Not sure which a person of those masks will perform most effective for the skin? This is often the most beneficial face mask for every pores and skin sort. Yogurt facial masks Robbers together with other prison perpetrators often put on masks as a means in concealing their faces and therefore identities from their victims and from law enforcement.

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[ptdrumm]

Quis Custodiet Ipsos Custodes?

Não é de hoje que cultivo o gosto por frases em latim. Meu pai gostava de citar, vez por outra, as célebres palavras de Catão, o Velho, ao terminar um discurso no Senado Romano: Delenda est Carthago. De fato, a dita frase é uma redução da sentença Ceterum autem censeo Carthaginem esse delendam, parte de uma campanha feroz contra Cartago, a cidade rival de Roma à época.

Gosto muito de uma que ouvi durante a cena final do filme Masque of the Red Death, de Roger Corman. A morte, conduzindo uma menina por um campo repleto de cadáveres e corpos agonizantes, diz: Sic transit gloria mundi. A cena me impressionou e nunca mais esqueci da frase.

Gosto também de Castigat Ridendo Mores, de Jean de Santeul, presente em alguns pedimentos e frisas de teatros. Gosto de Mens sana in corpore sano, Crescit amor nummi, quantum ipsa pecunia crescit e Panem et circenses, estas de Decimus Iunius Iuvenalis, o poeta satírico Juvenal. E gosto ainda, e não menos que de outras, da famosa —e sempre atual— Corruptissima re publica plurimæ leges, do senador e historiador Publius Cornelius Tacitus.

❊  ❊  ❊

Recentemente, a rede Facebook, num processo tosco de expiação de pecados aflorados no episódio Cambridge Analytica, decidiu contratar duas empresas de fact-checking no Brasil. Serão as 'vigias da verdade', para 'ajudar' o cidadão-eleitor a não se deixar levar pelas notícias falsas neste ano eleitoral, carimbando-as convenientemente.

Ao fim e ao cabo, fica a pergunta: quem atestará a veracidade, a lisura, a honestidade do 'verdadeiro ou falso' determinado pelas fact-checkers?

Essa atitude do Facebook e, provavelmente, de outras redes que adotarão processos parecidos, me lembra novamente o poeta Juvenal e mais uma de suas famosas frases: Quis custodiet ipsos custodes?, que pode ser traduzida em Quem vigiará nossos vigias?

[sguardimora]

𝗜 𝗖𝗢𝗥𝗣𝗜 𝗘 𝗟𝗘 𝗩𝗢𝗖𝗜 𝗗𝗘𝗟𝗟𝗔 𝗗𝗔𝗡𝗭𝗔 - 𝘴𝘦𝘤𝘰𝘯𝘥𝘢 𝘦𝘥𝘪𝘻𝘪𝘰𝘯𝘦

Corso di alta formazione per autori e autrici della scrittura corporea e delle performing arts

Lo studio della creazione coreografica autoriale si realizzerà soprattutto in percorsi curati e seguiti da maestri della scena performativa e coreutica contemporanea quali 𝗔𝗹𝗲𝘀𝘀𝗮𝗻𝗱𝗿𝗼 𝗦𝗰𝗶𝗮𝗿𝗿𝗼𝗻𝗶, 𝗗𝗲𝘄𝗲𝘆 𝗗𝗲𝗹𝗹 / 𝗧𝗲𝗼𝗱𝗼𝗿𝗮 𝗖𝗮𝘀𝘁𝗲𝗹𝗹𝘂𝗰𝗰𝗶, 𝗔𝗴𝗮𝘁𝗮 𝗖𝗮𝘀𝘁𝗲𝗹𝗹𝘂𝗰𝗰𝗶, 𝗩𝗶𝘁𝗼 𝗠𝗮𝘁𝗲𝗿𝗮, 𝗗𝗲𝗺𝗲𝘁𝗿𝗶𝗼 𝗖𝗮𝘀𝘁𝗲𝗹𝗹𝘂𝗰𝗰𝗶, 𝗖𝗼𝗹𝗹𝗲𝘁𝘁𝗶𝘃𝗢 𝗖𝗶𝗻𝗲𝘁𝗶𝗰𝗢 / 𝗙𝗿𝗮𝗻𝗰𝗲𝘀𝗰𝗮 𝗣𝗲𝗻𝗻𝗶𝗻𝗶, 𝗗𝗮𝗻𝗶𝗲𝗹𝗲 𝗡𝗶𝗻𝗮𝗿𝗲𝗹𝗹𝗼 e altri studiosi, studiose e docenti del linguaggio contemporaneo.

Hai tempo 𝗳𝗶𝗻𝗼 𝗮𝗹 𝟮𝟱 𝗺𝗮𝗿𝘇𝗼 per inviare la tua candidatura.

Per partecipare è necessario inviare una mail all’indirizzo 𝗳𝗼𝗿𝗺𝗮𝘇𝗶𝗼𝗻𝗲@𝗰𝗿𝗼𝗻𝗼𝗽𝗶𝗼𝘀.𝗶𝘁 contenente il modulo d’iscrizione scaricabile al sito www.cronopiosformazione.it e tutti i documenti richiesti.

_____________________________

𝗖𝗼𝗿𝘀𝗼 𝗳𝗶𝗻𝗮𝗻𝘇𝗶𝗮𝘁𝗼 𝗰𝗼𝗻 𝗿𝗶𝘀𝗼𝗿𝘀𝗲 𝗱𝗲𝗹 𝗣𝗿𝗼𝗴𝗿𝗮𝗺𝗺𝗮 𝗿𝗲𝗴𝗶𝗼𝗻𝗮𝗹𝗲 𝗙𝗼𝗻𝗱𝗼 𝘀𝗼𝗰𝗶𝗮𝗹𝗲 𝗲𝘂𝗿𝗼𝗽𝗲𝗼 𝗣𝗹𝘂𝘀 𝟮𝟬𝟮𝟭-𝟮𝟬𝟮𝟳 (𝘖𝘱𝘦𝘳𝘢𝘻𝘪𝘰𝘯𝘦 𝘙𝘪𝘧. 𝘗𝘈 2023-20195/𝘙𝘌𝘙, 𝘢𝘱𝘱𝘳𝘰𝘷𝘢𝘵𝘢 𝘤𝘰𝘯 𝘥𝘦𝘭𝘪𝘣𝘦𝘳𝘢 𝘥𝘪 𝘎𝘪𝘶𝘯𝘵𝘢 𝘙𝘦𝘨𝘪𝘰𝘯𝘢𝘭𝘦 𝘯. 2096 𝘥𝘦𝘭 04/12/2023 𝘦 𝘤𝘰𝘧𝘪𝘯𝘢𝘯𝘻𝘪𝘢𝘵𝘢 𝘤𝘰𝘯 𝘳𝘪𝘴𝘰𝘳𝘴𝘦 𝘥𝘦𝘭 𝘍𝘚𝘌+ 2021-2027 𝘦 𝘥𝘦𝘭𝘭𝘢 𝘙𝘦𝘨𝘪𝘰𝘯𝘦 𝘌𝘮𝘪𝘭𝘪𝘢-𝘙𝘰𝘮𝘢𝘨𝘯𝘢)

Soggetti attuatori:

Cronopios Eventi, L'arboreto - Teatro Dimora di Mondaino, Cantieri Danza, Corpoceleste/Alessandro Sciarroni, CodedUomo Choreography and Research/ Daniele Ninarello, CollettivO CineticO/ Francesca Pennini, Dewey Dell/Teodora Castellucci, Agata Castellucci, Vito Matera, Demetrio Castellucci

Partner promotori:

ATER Fondazione, ERT - Emilia Romagna Teatro Fondazione, Santarcangelo Festival dei Teatri, Associazione Culturale Festival Danza Urbana Bologna, Ravenna Teatro Soc. Coop, Fondazione Teatro Comunale di Ferrara, La Corte Ospitale - Teatro Herberia, Associazione Culturale masque teatro APS, Gender Bender International Festival / Cassero Lgbtqia+ Center, Attitudes spazio alle arti APS, ALCHEMICO TRE APS, Teatri di Vita

[overthedoors]

Intorno all’esperienza. Al Festival Crisalide di Forlì una giornata con Frie Leysen e Catia Gatelli

Intorno all’esperienza. Al Festival Crisalide di Forlì una giornata con Frie Leysen e Catia Gatelli

Pubblicato il 24 agosto 201722 agosto 2017 da Sonia Caporossi Frie Leysen – Künstlerische Leiterin Foreign Affairs 2012 A cura della REDAZIONE La ventiquattresima edizione del Festival diretto da Masque teatro propone, presso il Puntodonna di Forlì, un articolato dialogo con la direttrice artistica belga Frie Leysen (vincitrice nel 2014 del più importante riconoscimento europeo per la cultura, il…

[leandrodefreitas]

☑️subscribe ❗️ • • ☑️Follow and share‼️ • • « Qui masque ses fautes se voit, en fin de compte, démasqué par sa conscience » ✨ ✨ 📚WilliamShakespeare . . • • • • • #shakespeare #williamshakespeare #shakespearequotes #stratforduponavon #picoftheday #drama #instagram #actors #books #teatro #photooftheday #literature #actress #quotes #macbeth #acting #instagood #poetry #theater #italy #travel #verona #london #photography #actor #hamlet #romeoandjuliet #art #love #theatre (à New York, New York) https://www.instagram.com/p/CElTNPHAL67/?igshid=sojt4gtoxy1i

[persinsala]

Macbetto o la chimica della materia

Macbetto o la chimica della materia

Al Teatro Rasi di Ravenna va in scena la rilettura, firmata da Roberto Magnani, del Macbetto di Testori. Un testo e uno spettacolo che lasciano il segno. (more…)

[sonyclasica]

SINFONIEORCHESTER BASEL & IVOR BOLTON

THE SECRET FAURÉ II

El álbum The Secret Fauré II profundiza en la obra del gran compositor francés, después del gran éxito que obtuvo el primer disco publicado en 2018, también grabado por la prestigiosa Orquesta Sinfónica de Basilea, dirigida por Ivor Bolton. En esta ocasión se incluyen obras orquestales y de conciertos junto a piezas para piano/violín/cello y orquesta. Hoy 17 de mayo a la venta.

El disco descubre aspectos desconocidos de la música de Fauré ya que en las grabaciones se han aplicado las técnicas de la musicología moderna, basándose en la nueva edición crítica de estas composiciones publicada por Bärenreiter Verlag.

La grabación comienza con una breve y melodiosa pieza, la famosa “Berceuse” originalmente compuesta para violín y piano, que se presentó por primera vez en febrero de 1880 con el propio Fauré como pianista. Aquí aparece en su versión orquestal, ejecutada por primera vez en abril de ese mismo año.

El “Romance”, originalmente escrito para violín y piano y ejecutado por primera vez en 1883, también fue orquestado por el mismo Fauré pero nunca se publicó. Una nueva orquestación fue preparada por Philippe Gaubert.

La comedia musical “Masques et Bergamasques”, presentada en Monte Carlo en 1919, está parcialmente compuesta por piezas ya existentes y le proporcionó al compositor material para una animada suite orquestal. La famosa “Pavane” de Fauré es muy popular especialmente en sus numerosos arreglos para diferentes instrumentos. Sin embargo, esta grabación presenta su versión original para orquesta.

El Allegro de “Sinfonía en Fa” fue conocido durante mucho tiempo solo en su transcripción para piano a cuatro manos. Una versión orquestal se escuchó en 1874, cuando se realizó como una sinfonía. Pero Fauré no incluyó esta versión en su lista de trabajo. En este álbum, la Sinfónica de Basilea presenta la primera grabación del Allego en versión orquestal, que ha sido recientemente publicada por primera vez por Bärenreiter.

La Orquesta Sinfónica de Basilea es una de las más antiguas e innovadoras de Suiza. Con fuertes raíces en el noroeste del país, tiene una impresionante reputación nacional e internacional. En su propia serie de conciertos, en el Teatro de Basilea y en gira por Suiza y en el extranjero, nunca deja de demostrar su calidad de sonido refinada y sofisticada. El británico Ivor Bolton es su director principal desde la temporada 2016/17.

Bolton es director de la Sinfónica de Basilea de la Orquesta del Festival de Dresde y de la Orquesta Mozarteum de Salzsburgo. En el Reino Unido, ha sido director musical de English Touring Opera, Glyndebourne Touring Opera y director de la Scottish Chamber Orchestra. Disfruta de una estrecha relación con Bayerische Staatsoper donde, desde 1994, ha dirigido una amplia gama de nuevas producciones, entre las que destacan Monteverdi, Handel y Mozart. Ha sido galardonado con el prestigioso Bayerische Theaterpreis por su excelente trabajo en Munich.

Ha sido invitado habitual en el Maggio Musicale Fiorentino, en la Ópera Nacional de París y otros compromisos operísticos en Covent Garden, ENO, Bolonia, Bruselas, Ámsterdam, Lisboa, Sydney, Berlín, Hamburgo y Ginebra. Entre sus actuaciones orquestales se incluyen Proms, Lincoln Center New York, Zürich Tonhalle-Orchester, Koninklijk Concertgebouworkest, Orchestre de Paris, Rotterdams Philharmonisch Orkest, Gürzenich Orchester Köln, Wiener Symphoniker y Freiburger Barockorchester.

CONTENIDO

Gabriel Fauré  (1845-1924)

1. Berceuse for Violin and Orchestra op. 16  

2. Romance for Violin and Orchestra op. 28

3. Ballade for Piano and Orchestra op. 19

4. Élégie for Cello and Orchestra op. 24 Masques et Bergamasques op. 112 (Orchestral Suite)

5.Ouverture

6.Menuet

7.Gavotte

8.Pastorale

9. Pavane op. 50

10. Allegro from Symphonie en Fa (or Suite d'orchestre) op. 20

SINFONIEORCHESTER BASEL:

https://www.facebook.com/sinfonieorchesterbasel

https://www.youtube.com/user/SinfonieBasel

IVOR BOLTON:

https://ivorbolton.com

https://www.facebook.com/pages/category/Musician-Band/Ivor-Bolton-126105177444459/

[theatrelareineblanche-blog]

[LA RADIO AIME] 📻 (Ré)écoutez le conseil d'Armelle Héliot dans Le Masque et la Plume sur France Inter : www.franceinter.fr/emissions/le-masque-et-la-plume/le-masque-et-la-plume-14-avril-2019

🎤🎭 "c'est vraiment délicieux" "drôle" "et cela peut s'adresser très bien aux adolescents"

A propos de L'Équation de la Compagnie Teatro Di Fabio

Jusqu'au 28 avril

Réservations sur www.reineblanche.com/calendrier/theatre/l-equation

#théâtre #pièce #représentation #seulenscène #comédie #poésie #science #physique #chimie #biologie #mathématiques #médecine #astronomie #géographie #écologie #neuroscience #biotechnologies #univers #bigbang #cellule #théorie #relativité #matière #antimatière #rétractation #expansion #nature #primitivité #animalité #humanité #évolution #espèces #recherche #patrimoine #temporalité #imaginaire #imagination #éthique #déracinement #intégration #adaptation #parité #hermaphrodisme #genres #histoire #colonialisme #traite #exploitation #entropie #trounoir #M87 #powehi #optogénétique #clonage #OGM #ItaloCalvino #AlbertEinstein #FranzKafka #StephenHawking #MichelCassé #WolfgangPauli #Théophraste

[miguelmarias]

LA CARA OCULTA DE MAX OPHÜLS

Tras un período de olvido, de eclipsamiento, el cine de Max Ophüls ha empezado a recobrar, poco a poco, el interés de los cinéfilos y los críticos, probablemente gracias a sus incursiones en el melodrama, forma de expresión que en los últimos tiempos, y paradójicamente por su muy discutible —y, en todo caso, simplificadora— consideración como un género, ha atraído una desusada atención facial, sobre todo en los países de cultura anglosajona.

Que la curiosidad por Ophüls no haya sido suscitada directamente por la reposición o vuelta a la circulación de sus películas, sino que sea "de rebote", y se manifieste a través de "filtros" genéricos, ha limitado el alcance de los estudios recientes a él dedicados, pese a que abunden los imprescindibles: Framework núm. 4, Movie núms. 29-30, Positif números 232-233, un par de capítulos de Personal Views de Robin Wood, el folleto editado por el British Film Institute, los artículos de Molly Haskell y Peter Harcourt en el libro colectivo Favorite Movies son tan sólo algunas muestras de lo mucho que se ha avanzado en los últimos años hacia la comprensión y consiguiente revalorización del cine de Max Ophüls. Desgraciadamente, como todo este material es poco conocido, sobre todo en ámbitos como el nuestro, continúan repitiéndose acerca de este autor las mismas cantinelas de siempre, que dan de él una imagen parcial, sesgada, superficial y confusa. Por ejemplo, se le sigue colgando, tan irresponsablemente como a Josef von Sternberg, la etiqueta de "barroco", que también se le aplica a Orson Welles abusivamente, sin molestarse en aclarar qué se entiende por "barroquismo" en el cine, a pesar de que este estilo representa cosas bien divergentes en la arquitectura y en la música —por citar dos artes que tienen que ver con Ophüls—, y sin plantearse siquiera si la definición propuesta por Jorge Luis Borges es pertinente o no en su caso. Como el rasgo estilístico más celebrado de Ophüls es el plano largo en movimiento —que algunos aún confunden con el plano-secuencia,  sin distinguir entre los que han hecho Welles y Straub, Godard y Mizoguchi, Bertolucci y Rossellini, Wyler y Renoir, Preminger y Jancsó, Hitchcock y Rocha, Skolimowski y Dreyer, o casi cualquier primitivo, sea Louis Lumière o Edwin S. Porter—, se tiende a valorar exageradamente las películas en las que esta forma de captación tiene mayor relieve, y a juzgar la coherencia de este estilo en función de su grado de adecuación a la historia que narran, lo que conduciría a considerar como su obra maestra —o, al menos, paradigmática— La Ronde (1950), seguida de Madame de... (1953), y puede llevar a lamentar que no fuese Ophüls el encargado de dirigir Winchester’73 (1950), en lugar de Anthony Mann, o a menospreciar algunas de sus películas americanas como "poco características" —Caught y The Reckless Moment (Almas desnudas), ambas de 1949, por ejemplo— y otras como "ejercicios de estilo" —The Exile (La conquista de un reino, 1947) y Letter from an Unknown Woman (Carta de una desconocida, 1948)—, implícitamente "gratuitos".

La habitual y llamativa belleza de sus imágenes, y el peso que en ellas cobran el vestuario, las escaleras interiores, las flores o la nieve —y la lista de "objetos privilegiados" podía ser mucho más larga—, no ayudan a disipar la sensación, a menudo insinuada y en ocasiones expresada con tono reprobatorio, de que Ophüls es —como Vincente Minnelli, George Cukor y hasta hace poco Douglas Sirk, pero curiosamente no Luchino Visconti— "un esteta", palabreja que sus usuarios blanden como un anatema descalificador, impresión a la que debe atribuirse el ostracismo a que fue condenado el cine de Ophüls durante una larga temporada, y que en ocasiones es, por simple cambio de modas, la equívoca base de ciertas reconsideraciones precipitadas y superficiales.

La máscara

Cualquiera que haya visto el episodio así titulado Le Masque de Le Plaisir (1951) y lo haya asociado con la estructura visual de Lola Montes (Lola Montes, 1955) sabe, o por lo menos intuye, la importancia de esta figura en el cine de Max Ophüls; en consecuencia, no debiera dejarse arrastrar por la mera apariencia de las propias películas, ni reducirlas a la selección de imágenes que hace nuestra memoria, porque —aunque sean las que dejan más huella— no es lícito proceder a un montaje "mentar" de las mismas, cuyo resultado puede ser un "trailer" o una antología, pero no una síntesis de su obra. Parece, sin embargo, que los travellings arrastran a los espectadores, y que la fascinación muchas veces tiene efectos hipnóticos, por lo cual es fácil que quienes sólo conocen una parte —la más famosa, la más asequible— de la filmografía de Ophüls tengan de su "mundo" una visión que, sin ser falsa, toma la parte por el todo —y hasta la excepción por la regla—, es decir, que se hagan de su cine una idea caricaturesca, cuando no paródica, reforzada en ocasiones por un conocimiento "de leídas" o por haber tomado contacto con ella después de ver —en Demy, por ejemplo— el resultado de su influencia en otros cineastas.

El caso es que se asocia a Ophüls con la belleza y la elegancia, con un tiempo pretérito al que no es ajena la desdicha —pero tampoco la dicha—, y que a veces —pero levemente, con suavidad y ligereza— bordea la tragedia, con lo que de sublimadora tiene ésta. El esplendor y la dinámica de sus imágenes refuerzan esa impresión dominante de propiedad, de limpieza, hasta el punto de hacer olvidar los aspectos sórdidos de la vida o del carácter de sus protagonistas, la corrupción o la represión de las sociedades en que les ha tocado vivir. De Madame de..., como de Liebelei (Amoríos, 1932) es más fácil recordar las joyas, los bailes y la nieve que los duelos que ponen punto final a ambas historias, tan semejantes a veintiún años de distancia que parecen encerrar entre las dos todo Ophüls. De Lola Montes se nos quedan el color, la fastuosidad de diversas cortes europeas, el teatro y el circo, y se nos olvidan los aspectos más grotescos y crueles, a pesar de que con ellos termina la película. De Carta de una desconocida se nos viene ante todo a la memoria la precaria armonía de una felicidad ilusoria, y se nos borra con facilidad asombrosa la patética mezquindad, la cobardía, la frustrada promesa.

Y, sin embargo, hay un par de películas americanas de Ophüls, no muy apreciadas precisamente porque no parecen responder al modelo de lo "típicamente ophulsiano" que se posa en nuestra memoria visual, en las que el lado sombrío siempre presente en su cine pasa a ocupar un primer plano inhabitual, y a convertirse en su tonalidad dominante. Se trata de las dos últimas que hizo en Hollywood, Caught y The Reckless Moment.

Tras la careta

¿Qué nos revelan estas dos películas? Un presente desprovisto de la elegancia del antiguo Viejo Mundo. No estamos ya en la Viena recreada en estudio de Carta de una desconocida, ni en la policromada corte de Luis II de Baviera, ni en el París de Guy de Maupassant. Entre los personajes no están Franz Liszt ni el emperador Francisco José, ni Werther, ni Carlos II de Inglaterra, aunque no falten románticos como Martin Donnelly (James Mason), al menos en la última de ellas. Pero son americanos actuales, extraídos del bajo mundo o de las altas finanzas, más o menos desequilibrados y desesperados, cuya elegancia es completamente inexistente o resulta una auténtica e inesperada sorpresa, con la que en ningún caso se podía contar.

En principio, tanto una como otra son películas que, al igual que casi todas las de Ophüls, dondequiera que las rodase, se podrían calificar de melodramas; más precisamente, puesto que, como también suele suceder en la obra de este cineasta, están centradas en personajes femeninos, sería lógico adscribirlas al subgénero —despreciado entre todos— de las women's pictures, sobre y para mujeres. Ninguna de ellas cuenta con una base literaria mínimamente ilustre o siquiera respetable, ni tiene el menor cariz historicista. Pese a ello, son dos películas extraordinariamente cultas y civilizadas, lo que prueba que —pese a la audiencia nominal de Ophüls como guionista, y a que la primera de ellas iba a ser dirigida por John Berry— son obras personales, en las que, quizá gracias a la intervención de James Mason, y en la segunda de Joan Bennett y su marido, el productor Walter Wanger, Ophüls pudo trabajar con relativa libertad de acción.

De los incontables cineastas europeos que emigraron a Hollywood, por causas muy variadas, desde los años veinte a la Segunda Guerra Mundial, la mayoría consiguieron —con mayor o menor facilidad y fortuna— integrarse en el sistema de producción y en la sociedad americana. Aunque tengan obra anterior y posterior a su período americano realizada en Europa, como Fritz Lang, Victor Sjöström o Robert Siodmak, y con mayor razón si no regresaron nunca a su país natal o ya no desarrollaron una actividad cinematográfica normal, como Ernst Lubitsch, Alfred Hitchcock, Edgar G. Ulmer, Otto Preminger, Douglas Sirk, Jacques Tourneur y tantos otros, se les puede considerar corno cineastas americanos, sin por ello olvidar que también en Alemania, Suecia, Inglaterra o Francia hicieron cosas importantes. Sólo Jean Renoir, Mauritz Stiller y Ophüls, con independencia de que filmasen en Estados Unidos algunas de sus más grandes películas, no llegaron nunca a ser "americanos", a hacerse un lugar dentro de Hollywood; ni siquiera en el caso de Renoir, que se quedó a vivir allí, pero que no volvió a hacer cine en Estados Unidos después de The Woman on the Beach (La mujer de la playa, 1946). En lo que concierne a Ophüls, que es aquí y ahora el que nos importa, no se trata de que la experiencia fuese totalmente desastrosa, puesto que si —como, por lo demás, le sucedió a varios otros— tuvo en los primeros años dificultades para trabajar, se puede defender que Carta de una desconocida es su película más lograda, perfecta y personal; pero es evidente que no llegó a sentirse a gusto en Hollywood, y que —aunque contase con los medios técnicos para dar forma a su concepción del cine— las reglas no escritas del cine americano le resultaban incómodas y limitadoras. Precisamente, buena parte del especialísimo interés de Caught y The Reckless Moment estriba en la tensión entre la visión del mundo de Ophüls y los requisitos que había de cumplir una película americana de la época. Y de ese combate con las convenciones procede la naturaleza híbrida de estos dos melodramas, contaminados deliberadamente de "cine negro", hasta el punto de que la última de ellas pueda considerarse una de las cumbres de ese "género" al que no pertenece del todo, ya que tanto una como otra se sitúan en la frontera del cine "negro" y el melodrama.

Visualmente, son sin duda las dos películas más "oscuras" y claustrofóbicas de toda la itinerante carrera de Max Ophüls; sus personajes son también los menos idealistas y los más peligrosos, según atendamos al carácter de sus protagonistas o al de sus antagonistas masculinos. En Caught, el desequilibrio y la violencia de Smith Ohlrig (Robert Ryan), junto con el espacio creado por la fotografía de Lee Garmes, nos hacen adentrarnos en el inquietante territorio del cine "negro" psicológico. En The Reckless Moment el chantaje, el homicidio y su ocultación, a pesar de la conducta final de Donnelly y de las relaciones que se establecen entre él y Lucia Harper (Joan Bennett), nos introducen en el género "negro" de una manera mucho más radical: no se trata de un "baño", con la consiguiente "impregnación" del género negro, como en Caught, sino de la materia y la dramaturgia mismas. Que luego no sean ni el misterio ni su esclarecimiento, ni primordialmente la crítica social, lo que a Ophüls le importa, es otra cuestión; en el fondo, a Ophüls siempre le han interesado más los personajes y sus sentimientos que la peripecia dramática o la narración, y por ello no puede extrañar que, pese a sus "negruras", tampoco se atengan a las normas del cine "negro". En Caught y The Reckless Moment, sin embargo, es cuando Ophüls ha estado más cerca de integrarse en la corriente principal del cine americano; que no lo haya logrado, o que haya conseguido salirse con la suya, y hacer una obra mucho más  personal, sólo indica hasta qué punto la coherencia y la tenacidad fueron siempre dos de sus máximas virtudes, y es muy posible que el lado "negro" de estas películas sea consecuencia de la idea de América que se hizo, no del afán de ganar dinero o de subirse a un género que por entonces, si no estaba de moda, por lo menos llegó a establecerse como tal.

Miguel Marías

Libro “Max Ophuls” – Ediciones JC. Colección Directores de Cine. Número 28 (1987)

[todayclassical]

April 10 in Music History

1633 Birth of composer Werner Fabricius. 

1602 Italian composer Claudio Monteverde becomes a citizen of Mantua.

1707 Birth of Italian composer Michel Corrette. 

1725 FP of Ariosti’s “Dario” in London.

1737 Birth of composer François Giroust.

1764 Leopold Mozart and his two children leave Paris for London.

1802 Death of English soprano Charlotte Brent. 

1808 Birth of composer Auguste Franchomme.

1847 Birth of composer Charles Swinnerton Heap.

1853 FP of Charles Gounod’s Ave Maria in Paris. The chord structure based on the first prelude from Bach’s Well-Tempered Clavier. 1864 Birth of British-born German pianist and composer Eugene D'Albert in Glasgow. 1868 FP of Brahms’ German Requiem, at a Good Friday concert in Bremen. Ein Deutsches Requiem, Brahms conducting.

1878 Birth of American soprano Lucy Marsh in Ithaca, NY. 

1886 FP of Emanuel Chabrier’s opera Gwendoline in Brussels.

1887 Birth of composer Heinz Tiessen.

1892 Birth of Italian conductor and composer Victor de Sabata in Trieste. 1893 Birth of English contralto-mezzo-soprano Astra Desmond in Torquay.

1902 Birth of English brass band conductor and trumpeter Harry Mortimer.  1903 Birth of Austrian opera stage director Herbert Graf, in Vienna.  1910 Birth of American pianist Leonard Shure.

1910 Birth of Egyptian composer Abu-Bakr Khairat.

1911 Death of Lithuanian composer Mikolajus Konstantinas Ciurlionis.

1913 FP of Montemezzi’s opera L'Amore dei tre re at the Teatro della Scala in Milan, Tullio Serafin conducting.

1914 Birth of American composer Negro spirituals Noah Francis Ryder. 

1919 FP of Gabriel Fauré’s Masques et Bergamasques, in Monte Carlo.

1922 Birth of Australian baritone Neil Easton in Sydney. 

1925 Birth of Czech tenor Vilem Pribyl.

1926 Birth of composer Jacques Casterede.

1927 Birth of Peruvian tenor Luigi Alva, in Lima, Peru.

1927 FP of George Antheil’s Ballet mécanique at Carnegie Hall in New York City. The first symphonic work using an airplane propeller and other mechanical devices.

1927 FP of G. Antheil’s A Jazz Symphony. W.C. Handy jazz band with the composer at the piano.

1929 Birth of film music composer Dusan Radic.

1930 Birth of French jazz pianist and composer Claude Bolling. 1932 Birth of American pianist Enid Katahn in Pittsburgh, PA.

1933 Birth of American minimalist composer Philip Corner.

1934 Birth of Yugoslavian soprano Mirka Klaric. 

1935 Birth of American conductor Jorge Mester in Mexico City. 

1935 FP of Ralph Vaughan Williams’ Symphony No. 4. BBC Symphony, Sir Adrian Boult conducting in London.

1937 Birth of Italian soprano Edith Martelli.

1939 Birth of American composer Andrew Rudin in New Gulf, TX. 

1942 Birth of American soprano June Card in Dunkirk, NY. 

1946 Birth of composer Anne Boyd.

1949 Birth of Yugoslavian composer Vladimir Tosic in Belgrade.

1952 Death of English baritone and composer Frederic Austin in London. 

1953 Birth of English soprano Sarah Leonard in Winchester, Hampshire. 1955 Birth of English soprano Leslie Garrett in Yorkshire. 

1958 Birth of Russian pianist Yefim Bronfman.

1960 Death of Australian composer and pianist Arthur Benjamin.  1963 FP of Francis Poulenc’s Clarinet Sonata, at Carnegie Hall. Clarinetist Benny Goodman and pianist Leonard Bernstein.

1964 Death of German baritone Robert Von Scheidt. 

1984 FP of Ellen Taaffe Zwilich’s Prologue and Variations. Chattanooga Symphony, Richard Cormier conducting.

1988 FP of Joan Tower’s Clarinet Concerto. Charles Neidich and the American Symphony Orchestra, Jorge Mester conducting.

1992 FP of Michael Torke’s Music on the Floor for chamber ensemble. Present Music ensemble, Kevin Stalheim conducting in Milwaukee, WI.

1996 FP of Stanislaw Skrowaczewski’s Passacaglia Immaginaria. Minnesota Orchestra, Eiji Oue conducting in Minneapolis.

1997 Death of Japanese composer Toshiro Mayuzumi. 

2004 Death of South African soprano Marita Napier. 

2005 Death of Austrian-English violinist Norbert Brainin.